Studio
Katja Gretzinger

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New:
Perform Interdependency
When is the Digital in Architecture
Infrastructure Canada
Giraffes, Telegraphs and Hero of Alexandria
ZJO 2016


Make Yourself Available
Kieler Woche
Hello Stranger!
The Particular Unity of Same and Other
ZJO 2015
Europan
Mathegestalten
HFBK—Verlernen
Grain, Vapor, Ray
Inverse Institution
ZJO 2014
Archaeology of the Digital
This is Television
De ideale vorm
Urlaub nach dem Fall
The Massproduction of Artwork
ZJO 2013
In a Manner of Reading Design
Candide No 5
Yorgos Sapountzis
ZJO 2012
Candide No 4
Katy Feuersenger
ZJO 2011
Adaptation Theories
Cristobal Lehyt
Tue Greenfort
Candide No 3
Toponymisches Heft
ZJO 2010
Thermostat
Cooperative Designs
Temporary City Book
IBA Stadtumbau
Figuren und Gegenstände
Candide
Of an Obscure Desaster
ZJO 2009
Temporary City
Red Sky Morning
FAZ A moment's manifesto
When Attitudes become Design
European Kunsthalle
FAZ Wissen und Bedenken
Nichts ist ...
Fancity
ZJO 2008
ZJO New Plans
Logo Parc
After 1968
Paul Hendrikse
OOOPP
Slave to Freedom
FAZ Sandmann
Triumph of Religion
ZJO Anniversary
ZJO 2007
FAZ Lost in transmission
MOCA MAAS
Mark Curran
Adolf-Grimme-Institut
Eoghan McTigue
Michael John Whelan
Berlin Addictive
ZJO 2005
Beyond Swiss Tradition
FAZ Zurich Housing
Movement Research
Management Revue












Opening, Opening, Opening, Performance, Party
Jan van Eyck Academie, 2007


A poster for an exhibition in the Jan van Eyck Academy with Marjoijn Dijkmann, Julie Peeters, Rachel Koolen, Marcia Hafif, Gilles Aubry, and Bar Vulkan, organized by MOCA MAAS, Hedah and Jan van Eyck Academy, Maastricht.

I took the freedom, which the "institutional space" Jan van Eyck gave me, to disregard the content of the exhibition and "hijack" the poster with a collection of own souvenirs. Therefore I used some of the images, which I found during my research on "blind spots".

We produced 5 posters - on each of them one image is missing. The flyers work similarly – but they show only one image on the front while the missing ones were printed on the back side.

I was very happy to see that the cleaning lady of the Jan van Eyck has a good feeling for composition. Contexts influence attenders. Present company included.